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Last May, a leak surfaced that ByteDance, the company behind the popular music social network TikTok, was developing its own smartphone. Apparently, it would use a number of patents purchased from manufacturer Smartisan, but the company declined to comment at the time. Two months have passed and now it’s official: ByteDance is working on its own smartphone.
Smartisan, just to get us situated, is a company that made quite a bit of noise with the Smartisan R1, as it was the first device to incorporate 1 TB of internal memory back in May 2018. In the words of a ByteDance representative, the development of this phone was part of the deal they struck with Smartisan and is «a continuation of Smartisan’s previous plans, with the goal of meeting the needs of Smartisan’s former user base.»
No information on launches, specifications, pricing or countries in which it will be available has been disclosed. However, the device can be expected to arrive first in China, where ByteDance accumulates more than 300 million users on its Douyin app (Chinese equivalent of TikTok). ByteDance is one of the Chinese giants and sits at the same table as Baidu and Tencent, but money and renown are not all that is needed.

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If someone posts promoting your service for free because they genuinely appreciate it and you get tens of thousands of new users as a result, one at first glance sees it as a positive thing. However, sometimes it can be so positive that you die of success (the Waze example is a classic). This is more or less what happened to the survey website for scientific studies Prolific. In a matter of days they saw their surveys corrupted by the skewed user base they gained.
It all started on July 23, when Sarah Frank, a young TikTok user, posted a video about Prolific. Prolific is a survey website for scientific studies on behavioral research. In exchange for answering questions and tests in surveys, users receive a few dollars per survey (about 10 euros per hour). These surveys are then analyzed by scientists for their studies. A win-win for both parties.

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The first half of the 20th century is represented by 358 works. Many of them come from the 1930s, 1940s and 1950s, with authors such as Ángel Zárraga, Gerardo Murillo (Dr. Atl), Roberto Montenegro, Diego Rivera, David Alfaro Siqueiros, José Clemente Orozco, Abraham Ángel, Manuel Rodríguez Lozano, Frida Kahlo, Carlos Orozco Romero and Rufino Tamayo, as well as other members of the Mexican School of painting such as Julio Castellanos, María Izquierdo…
The MAM collection offers a panorama of the artistic processes that followed muralism and the Mexican School of painting. We refer to the so-called Ruptura, with artists such as Lilia Carrillo, Fernando García Ponce, Vicente Rojo, Pedro Coronel, Manuel Felguérez and José Luis Cuevas, as well as those who, together with them, fought for a more open-minded and ideologically free art: Juan Soriano, Arnaldo Coen, Alberto Gironella, Gunther Gerzso…
In parallel to this acquisition, Manuel Álvarez Bravo donated a valuable collection of photographs, including 5 images by Edward Weston, 3 by Tina Modotti and 4 by Henri Cartier-Bresson; they belong to the most active periods of their careers. The collection is enriched with 19 daguerreotypes, 21 ambrotypes, 6 ferrotypes and 2 talbotypes, plus 5 albums of old photographs and one of the few remaining Daguerre cameras in the world that belonged to Álvarez Bravo…